Publication:
Cold War Cosmopolitanism: Period Style in 1950s Korean Cinema

datacite.subject.fos oecd::Humanities
dc.contributor.author Klein, Christina
dc.date.accessioned 2023-07-25T00:47:52Z
dc.date.available 2023-07-25T00:47:52Z
dc.date.issued 2020
dc.description University of California Press - CC-BY-NC - https://www.jstor.org/stable/10.2307/j.ctv1f8851b - 320 pages
dc.description.abstract South Korea in the 1950s was home to a burgeoning film culture, one of the many "Golden Age cinemas" that flourished in Asia during the postwar years. Cold War Cosmopolitanism offers a transnational cultural history of South Korean film style in this period, focusing on the works of Han Hyung-mo, director of the era's most glamorous and popular women's pictures, including the blockbuster Madame Freedom (1956). Christina Klein provides a unique approach to the study of film style, illuminating how Han's films took shape within a "free world" network of aesthetic and material ties created by the legacies of Japanese colonialism, the construction of US military bases, the waging of the cultural Cold War by the CIA, the forging of regional political alliances, and the import of popular cultures from around the world. Klein combines nuanced readings of Han's sophisticated style with careful attention to key issues of modernity-such as feminism, cosmopolitanism, and consumerism-in the first monograph devoted to this major Korean director. A free open access ebook is available upon publication. Learn more at www.luminosoa.org.
dc.identifier.isbn 978-0-52096-898-1
dc.identifier.uri http://repository.vlu.edu.vn:443/handle/123456789/6392
dc.language.iso en_US
dc.subject Film Studies
dc.subject Performing Arts
dc.subject History
dc.subject Asian Studies
dc.title Cold War Cosmopolitanism: Period Style in 1950s Korean Cinema
dc.type Resource Types::text::book
dspace.entity.type Publication
oairecerif.author.affiliation #PLACEHOLDER_PARENT_METADATA_VALUE#
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