Publication:
Literary Coteries and the Making of Modern Print Culture: 1740–1790

dc.contributor.author Betty A. Schellenberg
dc.date.accessioned 2024-01-18T08:22:59Z
dc.date.available 2024-01-18T08:22:59Z
dc.date.issued 2016
dc.description Publisher: Cambridge University Press ; License: CC BY-NC-ND ; Source: https://doi.org/10.1017/CBO9781316423202 ; 308 pages
dc.description.abstract Literary Coteries and the Making of Modern Print Culture, 1740-1790 offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain's literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a vital scribal culture, the book profiles four interrelated and influential coteries, focusing on each group's deployment of traditional scribal practices, on key individuals who served as bridges between networks, and on the aesthetic and cultural work performed by the group. Literary Coteries also explores points of intersection between coteries and the print trade, whether in the form of individuals who straddled the two cultures; publishing events in which the two media regimes collaborated or came into conflict; literary conventions adapted from manuscript practice to serve the ends of print; or simply poetry hand-copied from magazines. Together, these instances demonstrate how scribal modes shaped modern literary produc
dc.identifier.isbn 9781316423202
dc.identifier.uri http://repository.vlu.edu.vn:443/handle/123456789/12225
dc.language.iso en_US
dc.subject Literary sociability
dc.subject personal miscellany
dc.subject new species of mischief
dc.subject patronage
dc.title Literary Coteries and the Making of Modern Print Culture: 1740–1790
dc.type Resource Types::text::book
dspace.entity.type Publication
oairecerif.author.affiliation #PLACEHOLDER_PARENT_METADATA_VALUE#
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