Publication:
Manhua Modernity: Chinese Culture and the Pictorial Turn

datacite.subject.fos oecd::Humanities
dc.contributor.author Crespi, John A.
dc.date.accessioned 2023-07-25T01:14:15Z
dc.date.available 2023-07-25T01:14:15Z
dc.date.issued 2020
dc.description University of California Press - CC-BY-NC - https://www.jstor.org/stable/10.2307/j.ctv1f884mn - 236 pages
dc.description.abstract A free open access ebook is available upon publication. Learn more at www.luminosoa.org. From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed-from interwar-era consumerism to war-time mobilization to Mao-style propaganda-the art form adapted to stay on the cutting edge of both politics and style.
dc.identifier.isbn 978-0-52097-386-2
dc.identifier.uri http://repository.vlu.edu.vn:443/handle/123456789/6415
dc.language.iso en_US
dc.subject Film Studies
dc.subject Communication Studies
dc.subject Art & Art History
dc.subject Asian Studies
dc.subject Cultural Studies
dc.subject History
dc.title Manhua Modernity: Chinese Culture and the Pictorial Turn
dc.type Resource Types::text::book
dspace.entity.type Publication
oairecerif.author.affiliation #PLACEHOLDER_PARENT_METADATA_VALUE#
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