Publication:
Togo Mizrahi and the Making of Egyptian Cinema:

datacite.subject.fos oecd::Humanities
dc.contributor.author Starr, Deborah A., Prof.
dc.date.accessioned 2023-07-25T02:04:55Z
dc.date.available 2023-07-25T02:04:55Z
dc.date.issued 2020
dc.description University of California Press - CC-BY-NC - https://www.jstor.org/stable/10.2307/j.ctv2rb76bm - 252 pages
dc.description.abstract A free open access ebook is available upon publication. Learn more at www.luminosoa.org. In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi's work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful-and queer-use of masquerade and mistaken identity. Taken together, Mizrahi's films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi's contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.
dc.identifier.isbn 978-0-52097-612-2
dc.identifier.uri http://repository.vlu.edu.vn:443/handle/123456789/6438
dc.language.iso en_US
dc.subject Jewish Studies
dc.subject History
dc.subject Middle East Studies
dc.subject Film Studies
dc.subject Gender Studies
dc.title Togo Mizrahi and the Making of Egyptian Cinema:
dc.type Resource Types::text::book
dspace.entity.type Publication
oairecerif.author.affiliation #PLACEHOLDER_PARENT_METADATA_VALUE#
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