Publication:
The Red Years of Cahiers du cinéma (1968-1973): Volume I, Ideology and Politics

datacite.subject.fos oecd::Humanities
dc.contributor.author Fairfax, Daniel
dc.date.accessioned 2023-07-24T03:35:24Z
dc.date.available 2023-07-24T03:35:24Z
dc.date.issued 2021
dc.description Amsterdam University Press - CC-BY-NC - https://www.jstor.org/stable/10.2307/j.ctv21s2x4t - 426 pages
dc.description.abstract The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.
dc.identifier.isbn 978-9-04854-390-8
dc.identifier.uri http://repository.vlu.edu.vn:443/handle/123456789/6372
dc.language.iso en_US
dc.subject History
dc.subject Film Studies
dc.subject Political Science
dc.title The Red Years of Cahiers du cinéma (1968-1973): Volume I, Ideology and Politics
dc.type Resource Types::text::book
dspace.entity.type Publication
oairecerif.author.affiliation #PLACEHOLDER_PARENT_METADATA_VALUE#
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