Publication:
Rock This Way: Cultural Constructions of Musical Legitimacy

datacite.subject.fos oecd::Humanities
dc.contributor.author Stanfill, Mel
dc.date.accessioned 2023-07-04T02:17:18Z
dc.date.available 2023-07-04T02:17:18Z
dc.date.issued 2023
dc.description University of Michigan Press - CC-BY-NC - https://www.jstor.org/stable/10.3998/mpub.12405073 - 240 pages
dc.description.abstract Any and all songs are capable of being remixed. But not all remixes are treated equally. Rock This Way examines transformative musical works-cover songs, remixes, mash-ups, parodies, and soundalike songs-to discover what contemporary American culture sees as legitimate when it comes to making music that builds upon other songs. Through examples of how popular discussion talked about such songs between 2009 and 2018, Mel Stanfill uses a combination of discourse analysis and digital humanities methods to interrogate our broader understanding of transformative works and where they converge at the legal, economic, and cultural ownership levels. Rock This Way provides a new way of thinking about what it means to re-create and borrow music, how the racial identity of both the reusing artist and the reused artist matters, and the ways in which the law polices artists and their works. Ultimately, Stanfill demonstrates that the extent to which a work is seen as having new expression or meaning is contingent upon notions of creativity, legitimacy, and law, all of which are shaped by white supremacy.
dc.identifier.isbn 978-0-47290-362-7
dc.identifier.uri http://repository.vlu.edu.vn:443/handle/123456789/6314
dc.language.iso en_US
dc.subject Music
dc.subject Law
dc.subject Communication Studies
dc.title Rock This Way: Cultural Constructions of Musical Legitimacy
dc.type Resource Types::text::book
dspace.entity.type Publication
oairecerif.author.affiliation #PLACEHOLDER_PARENT_METADATA_VALUE#
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