Publication:
Chinese reverse glass painting 1720-1820: An artistic meeting between China and the West. Preface by Danielle Elisseeff

dc.contributor.author Audric, Thierry
dc.date.accessioned 2024-04-09T09:45:46Z
dc.date.available 2024-04-09T09:45:46Z
dc.date.issued 2020
dc.description Publisher: Peter Lang International Academic Publishers ; License: https://creativecommons.org/licenses/by/4.0 ; Source: https://library.oapen.org/handle/20.500.12657/42383 ; 240 pages
dc.description.abstract Displaying a talent for combining aesthetic sensibility with scientific rigor, the author has given new life to something that once excited European passions: an original, non-academic art at the forefront of the ‘new technology’ of the time. For decades, aristocrats of the Old World and then American collectors (the latter at the end of the eighteenth and beginning of the nineteenth centuries) spent countless sums on the purchase of these works, which were worth a fortune. These wealthy collectors of curiosities of all types were also most certainly great dreamers seeking a worthy setting for their dreams. Unbeknownst to them, their endeavours had much greater scope, creating and nourishing the conditions for a rare encounter between two worlds: a golden age of atypical collaboration, a combined adventure between China and Europe.
dc.identifier.uri http://repository.vlu.edu.vn:443/handle/123456789/13318
dc.language.iso en_US
dc.subject History
dc.subject History of art
dc.title Chinese reverse glass painting 1720-1820: An artistic meeting between China and the West. Preface by Danielle Elisseeff
dc.type Resource Types::text::book
dspace.entity.type Publication
oairecerif.author.affiliation #PLACEHOLDER_PARENT_METADATA_VALUE#
Files
Original bundle
Now showing 1 - 1 of 1
No Thumbnail Available
Name:
OAB3304.txt
Size:
0 B
Format:
Plain Text
Description: