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Curating Contemporary Music Festivals: A New Perspective on Music's Mediation

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dc.contributor.author Farnsworth, Brandon
dc.date.accessioned 2024-04-09T01:29:52Z
dc.date.available 2024-04-09T01:29:52Z
dc.date.issued 2020
dc.description Publisher: transcript Verlag ; License: http://creativecommons.org/licenses/by-nc-nd/4.0/ ; Source: https://library.oapen.org/handle/20.500.12657/41791 ; 326 pages
dc.description.abstract Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
dc.identifier.isbn 9783839452431
dc.identifier.uri http://repository.vlu.edu.vn:443/handle/123456789/13231
dc.language.iso en_US
dc.subject Contemporary Classical Music
dc.subject New Music
dc.subject Neue Musik
dc.subject Berliner Festspiele
dc.subject Münchner Biennale Für Neues Musiktheater
dc.subject Munich Biennale For New Music Theatre
dc.subject Cultural Management
dc.subject Music
dc.subject Music Management
dc.subject Musicology
dc.title Curating Contemporary Music Festivals: A New Perspective on Music's Mediation
dc.type Resource Types::text::book
dspace.entity.type Publication
oairecerif.author.affiliation #PLACEHOLDER_PARENT_METADATA_VALUE#
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